Readercon is in a very few days and I’m very much looking forward to it. Folks who may want to say hi will be able to find me either lurking in the halls, making notes in the audience, or part of the following panels/readings:
Thursday July 09
9:00 PM ENL How to Write for a Living When You Can’t Live Off Your Fiction. Leah Bobet, John Crowley, Michael Dirda, Barbara Krasnoff (leader).You’ve just been laid off from your staff job, you can’t live on the royalties from your fiction writing, and your significant other has taken a cut in pay. How do you pay the rent? Well, you can find freelance work writing articles, white papers, reviews, blogs, and other non-SFnal stuff. Despite today’s lean journalistic market, it’s still possible to make a living writing, editing, and/or publishing. Let’s talk about where and how you can sell yourself as a professional writer, whether blogging can be done for a living, and how else you can use your talent to keep the wolf from the door. Bring whatever ideas, sources, and contacts you have.
Friday July 10
1:00 PM ENL The Works of Joanna Russ. Gwynne Garfinkle, David G. Hartwell, Barbara Krasnoff (moderator), Scott Lynch. Joanna Russ (1937–2011) was, arguably, the most influential writer of feminist science fiction the field has ever seen. In addition to her classic The Female Man (1975), her novels include Picnic on Paradise (1968), We Who are About to… (1977), and The Two Of Them (1978). Her short fiction is collected in The Adventures of Alyx(1976), The Zanzibar Cat (1983), (Extra)Ordinary People (1984), and The Hidden Side of the Moon (1987). She was also a distinguished critic of science fiction; her books include The Country You Have Never Seen: Essays and Reviews (2007). Of her works outside the SF field, she is perhaps best known forHow to Suppress Women’s Writing (1983). Join us to discuss her works.
3:00 PM G Women of Technology. Karen Burnham, Barbara Krasnoff (moderator), Shariann Lewitt, B Diane Martin, Fran Wilde. Current technology is the handmaiden of hard science fiction. What can SF literature learn from the women who have made a difference in tech today? What have been their challenges, experiences, and frustrations? How can we use them as prototypes for the inhabitants of our imagined futures? And from the point of view of women in scientific and technical fields, what science fiction works have succeeded (or failed) in extrapolating not only future technology but the role of women within it?
8:00 PM CO Dealing with Discouragement. Susan Bigelow, Michael J. Daley, Scott Edelman, Barbara Krasnoff (leader), Shariann Lewitt. As writers, we learn very early on to handle rejection, but how do you handle it when a story you’re sure is good is rejected by 20 different publications? Or when your carefully crafted novel is shrugged off by five different agents? Or your self-published novella is bought by only 25 people, all of them friends and relatives? Or your fantasy novel disappears from public view after a couple of weeks? We’ll explore personal strategies to deal with disappointments, rejection, and other setbacks.
Saturday July 11
9:00 AM F The Author’s Voice. Barbara Krasnoff (leader), Kate Marayuma, Tom Purdom, Paul Tremblay, Gregory Wilson. An old writing advice chestnut is that you should read your work aloud; supposedly this will help you notice awkward phrasing. Let’s dig a little further: when, how, and why do writers do this, if at all? How has it helped—and has it ever hindered? Do authors who are performers have the opposite problem, where their ability to make something come alive in a reading obscures the fact that it’s a bit dead on the page? How does reading aloud square with things like footnotes, parentheticals, illustrations, digressions, or visual representations of dialects? Is anyone emphatically against the practice of reading aloud as an element of process?
10:00 AM EM Tabula Rasa. Jen Brissett, Barbara Krasnoff, Terence Taylor. Tabula Rasa Group Reading
Sunday July 12
9:30 AM ENV Reading